Making its overseas debut in 54 markets, Django Unchained grossed an impressive $48.1 million -- enough to earn the Oscar Best Picture contender film the weekend’s No. 1 spot on the foreign theatrical circuit.
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Sony, which is handling Quentin Tarantino's movie overseas, calculates that Django opened 30% ahead of Tarantino's Inglourious Basterds, which generated slightly more than $200 million in total overseas box office, about 60% of its worldwide take.
Django opened No. 1 in at least 23 markets including the U.K., Germany, France, Italy, Spain, Sweden, Belgium and Poland “even with much of Europe buried under snow this weekend,” said Sony.
Starring Jamie Foxx, Christoph Waltz and Leonardo Di Caprio, Django registered a mighty $9.6 million at 620 sites in Germany, a full two-and-a-half times the market opening for Basterds (Waltz, who also starred in Inglourious is Austrian).
In France, the take was $7.3 million at 612 spots and $5.4 million from 936 Russia situations, $4.8 million at 580 sites in the U.K., $4.3 million at 517 locales in Italy and $3.3 million at 470 situations in Spain.
Unchained takes over the No. 1 spot from Ang Lee’s Life of Pi, which had topped the foreign charts for the prior two rounds. This time, the Twentieth Century Fox release registered $20.7 million on the weekend playing at 7,944 venues in 66 markets and lifting its foreign gross total to nearly $400 million ($393.9 million).
Introducing itself to limited foreign audiences inauguration weekend was Lincoln, Stephen Spielberg’s historical epic that drew a dozen Oscar nominations. A Spain debut generated $2.3 million at 344 sites, enough for a No. 2 market ranking. In Mexico, the ranking was No. 3 with $729,391 elicited from 259 situations. In all, the film played three markets, drawing $3.3 million from 605 screens.
This is just the start of Lincoln’s international campaign. Distributor Twentieth Century Fox said the film opens in 19 foreign markets this week including Brazil, Germany, Italy, Russia and the U.K.
Universal’s Mama, director Andres Muschietti’s horror outing -- which opened No. 1 in the U.S. and Canada -- premiered in just a half dozen smaller markets, deriving $1 million from 181 playdates. A Korea opening for the Jessica Chastain vehicle is due this week.
Also kicking off its foreign campaign – a week before opening in the U.S. and Canada -- was Hansel and Gretel: The Witch Hunters, Paramount/MGM’s 3D co-production distributed overseas by the former.
With Jeremy Renner and Gemma Arterton portraying the title pair as bounty hunters, the film opened No. 1 in action-friendly Russia, grossing $7.3 million at 650 venues. Paramount said 98% of the action came from 3D locations. Hansel and Gretel, expands its overseas run by 19 territories this week including Brazil, Hong Kong, Taiwan and Singapore.
UniversalLes Miserables grossed $19.4 million on the weekend at 2,900 situations in 29 markets, pushing its foreign gross total to $150.5 million. The musical opened No. 1 in Estonia, India, Indonesia, Norway and the Philippines.
Director Katherine Bigelow’s controversial Zero Dark Thirty, about the hunt for Osama Bin Laden has grossed $3.9 million over 17 days in Spain with the weekend providing $650,000 of the total at 242 playdates. Universal is handling the film in many overseas markets, and will open the Oscar nominee in the U.K., Finland, France and French-speaking Switzerland.
Paramount’s Tom Cruise action vehicle, Jack Reacher, is approaching the $100-million foreign gross mark ($98.8 million) after its fifth weekend of offshore play drew $11.8 million at 5,744 situations in 58 countries. A South Korea opening generated $3.3 million at 415 locations, ranking No. 2 in the market.
Chugging along in its 12th round on the foreign circuit is Disney’s animation title,Wreck-It Ralph, which grossed another $8.2 million on the weekend from playdates in 60 territories. Foreign cume stands at $173.4 million.
Summit Ent.-Mediaset Espana’s production of The Impossible, distributed overseas by Lionsgate, has crossed the $100-million foreign gross mark ($106 million). Director Juan Antonio Bayona’s tsunami disaster epic costarring Naomi Watts and Ewan McGregor drew $7.9 million on the weekend at some 2,700 venues in in 47 territories highlighted by a $1.9 million opening round in South Korea.
Universal’s smash comedy, Ted, finally reached Japan where it opened to $4.3 million on the weekend at 134 playdates. It’s the final international stop for the film, which has grossed an international total of $289.4 million. Parental Guidance, Fox’s comedy costarring Billy Crystal and Bette Midler, pushed its foreign cume to $29.5 million thanks to a $3.9 million weekend at 2,690 spots in 34 markets.
Opening No. 2 in France was Pathe’s release of Alceste A Bicyclette (Cycling With Moliere), director Philippe Le Guay’s comedy costarring Fabrice Luchini and Lambert Wilson about two actors mounting a Moliere play. Debut round generated $2 million from 340 playdates.
Top foreign markets in 2012:The U.K./ Ireland remained the No. 1 foreign territory for the “big six” Hollywood majors in 2012, throwing off $1.9 billion in all, according to the Rentrak box office tracking service, a record year. The percentage accrued to American titles has not yet been disclosed but it is estimated at $1.4 billion.
China emerged as the second biggest foreign territory for the Hollywood majors, and the world’s biggest movie market last year outside the U.S. What’s more, according to figures disclosed earlier this month by Chinese film authorities, American product took an increasing share of theatrical box office there.
China grossed a total of $2.7 billion in 2012, a 28% increase over 2011, with imported films accounting for $1.4 billion or 54% of the market gross. (Hollywood majors’ share of that pot is estimated at about $1 billion.)
For the first time, domestic films represented less than half the market. (In 2007, local films accounted for 67% of China’s total.) 303 films were released (227 Chinese titles, many Hong Kong productions) and 76 imports (most from Hollywood), attributed to the larger number of imported titles (34 versus 20) as a result of the U.S.-China film agreement in February, which increased the number of imported titles allowed per year.
Chinese comedy, Lost In Thailand, was the market’s biggest-grossing release ($160.5 million).
According to preliminary estimates, Japan generated approximately $1.7 billion in total box office, with a strong component of high grossing, locally-made films. Of the top10 foreign markets in 2012 for the Hollywood majors, Japan is likely to rank eighth. U.K. is first, then China, Russia, Mexico, France, Germany (throwing off an estimated $1.3 billion in total), Australia, Japan, Brazil ($819.5 million) and Korea.
Other international cumes: Fox’s Break Up Man, $10.3 million in Germany and German-speaking Switzerland; DreamWorks/Paramount’s Rise of the Guardians, $191.7 million (after a $2.5 million weekend at 2,669 sites in 49 territories); Universal’s Anna Karenina, $34.9 million; Sony’s Hotel Transylvania, $173.8 million (after a $2.8 million weekend in 34 markets); Universal’s Pitch Perfect, $42.2 million; Sony/MGM’s Skyfall, $737.6 million (after a $2.1 million weekend at 1,645 venues in 31 markets); Universal’s This Is 40, $3 million; and Universal’s ParaNorman, $49.3 million.
Opening this week: Paramount’s Flight in seven markets including Italy and Sweden; Sony’MGM’s Skyfall bows in China beginning tomorrow (Mon.);
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